I also remember messing around with reel-to-reel tape recorders my Dad had and chopping up recordings and making edits and generally messing around with audio and a microphone he had at the time. I’d always been heavily into music from a young age, like about 7 or 8, listening to Radio Luxembourg on a little pair of headphones in bed, way in to the night, long after my parents thought I was fast asleep. I was in the middle of my ‘A’ Levels at school getting more and more disillusioned with education when I happened to pass the school jobs notice board advertising that a brand new multitrack recording studio was opening and needed a trainee recording engineer. The simple answer is, like the story of my life, I was in the right place at the right time! How did you get involved in the music industry? ![]() In this brand new two-part interview for Oasis Recording Info, mastering engineer Mike Marsh of The Exchange explains in detail the art of mastering and exactly how he mastered Oasis’s albums Be Here Now and The Masterplan…
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